My favorite thing about William Gibson’s Johnny Mnemonic is how it uses genre. It is, in essence, a noir detective story, with its quirky, campy names like Molly Millions, Ralfi Face, and of course the titular Johnny Mnemonic, it just also happens to contain the technological aspects that happen to be found in traditional cyberpunk stories. Johnny Mnemonic reminds me of my favorite cyberpunk noir detective story, the Penumbra Podcast's Juno Steele series. That is a sentence I thought I'd never write, because it seems like such a specific genre mix, it's bound to only happen once, and yet here we are. However, this mix might not be so unlikely. The thing about cyberpunk is that it has a distinctly different vibe to the clean, shiny, brand new chrominess of space operas. Cyberpunk seems to imply some element of being dirty or run-down, cyberpunk is what happens to space operas when you add a lot of colorful neon lights and then leave it to decay without cleaning it up for...
Condemnation of Humanity In Jeff Vandermeer’s Annihilation In Jeff Vandermeer’s Annihilation, none of the characters have names, instead they are referred to by their professions: the biologist, the anthropologist, the surveyor, the psychologist. Instead of having names and identities, the characters are reduced to their utility. This reduction served to both diminish and highlight the humanity of these characters. Later, when the biologist begins to talk about her husband, the job description names have the added effect of making “husband” feel like yet another occupation. In contrast to this natural landscape, based on Vandermeer’s own time living on a Floridian wildlife refuge (as shown in the provided infographic from Vandermeer’s website), the relatively industrial scientists with their tents and cigarettes and guns are beacons of man made invention and destruction. Almost robotic or machine-like when placed in this rugged, almost aggressively natural environment. Elem...
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